Do f-stop and exposure time perfectly cancel?












1















I am photographing a scene with white and black elements in it. Starting at the f/22 stop, I increase the aperture one stop and decrease the exposure time by a factor of 2, take a picture, and keep doing this for all the f-stops on the lens. My expectation is that raw counts should stay the same inside a white region or a black region since halving the exposure time compensates for increasing the aperture. But when I select a white region and average its pixel raw counts for each image, there is variability between the images (the standard deviation of the raw counts is ~5% of the mean). Same thing if I select and average a black region. I am not knowingly changing anything else (illumination, camera position), and the camera is a scientific CMOS. What could be causing this variation: noise, or something more systematic?










share|improve this question




















  • 1





    What is the lens? Is it also designed for scientific purposes? If so, does it come with a datasheet listing tolerances, or can you get that from the manufacturer?

    – mattdm
    2 hours ago
















1















I am photographing a scene with white and black elements in it. Starting at the f/22 stop, I increase the aperture one stop and decrease the exposure time by a factor of 2, take a picture, and keep doing this for all the f-stops on the lens. My expectation is that raw counts should stay the same inside a white region or a black region since halving the exposure time compensates for increasing the aperture. But when I select a white region and average its pixel raw counts for each image, there is variability between the images (the standard deviation of the raw counts is ~5% of the mean). Same thing if I select and average a black region. I am not knowingly changing anything else (illumination, camera position), and the camera is a scientific CMOS. What could be causing this variation: noise, or something more systematic?










share|improve this question




















  • 1





    What is the lens? Is it also designed for scientific purposes? If so, does it come with a datasheet listing tolerances, or can you get that from the manufacturer?

    – mattdm
    2 hours ago














1












1








1








I am photographing a scene with white and black elements in it. Starting at the f/22 stop, I increase the aperture one stop and decrease the exposure time by a factor of 2, take a picture, and keep doing this for all the f-stops on the lens. My expectation is that raw counts should stay the same inside a white region or a black region since halving the exposure time compensates for increasing the aperture. But when I select a white region and average its pixel raw counts for each image, there is variability between the images (the standard deviation of the raw counts is ~5% of the mean). Same thing if I select and average a black region. I am not knowingly changing anything else (illumination, camera position), and the camera is a scientific CMOS. What could be causing this variation: noise, or something more systematic?










share|improve this question
















I am photographing a scene with white and black elements in it. Starting at the f/22 stop, I increase the aperture one stop and decrease the exposure time by a factor of 2, take a picture, and keep doing this for all the f-stops on the lens. My expectation is that raw counts should stay the same inside a white region or a black region since halving the exposure time compensates for increasing the aperture. But when I select a white region and average its pixel raw counts for each image, there is variability between the images (the standard deviation of the raw counts is ~5% of the mean). Same thing if I select and average a black region. I am not knowingly changing anything else (illumination, camera position), and the camera is a scientific CMOS. What could be causing this variation: noise, or something more systematic?







exposure aperture






share|improve this question















share|improve this question













share|improve this question




share|improve this question








edited 3 hours ago







KAE

















asked 5 hours ago









KAEKAE

20217




20217








  • 1





    What is the lens? Is it also designed for scientific purposes? If so, does it come with a datasheet listing tolerances, or can you get that from the manufacturer?

    – mattdm
    2 hours ago














  • 1





    What is the lens? Is it also designed for scientific purposes? If so, does it come with a datasheet listing tolerances, or can you get that from the manufacturer?

    – mattdm
    2 hours ago








1




1





What is the lens? Is it also designed for scientific purposes? If so, does it come with a datasheet listing tolerances, or can you get that from the manufacturer?

– mattdm
2 hours ago





What is the lens? Is it also designed for scientific purposes? If so, does it come with a datasheet listing tolerances, or can you get that from the manufacturer?

– mattdm
2 hours ago










4 Answers
4






active

oldest

votes


















5














This is normal behavior, caused by:




  1. Imperfections of aperture. Usually there are variations from
    technology process which cause not to have exact size of the hole.
    On 50mm lens f4 you should have 12.5mm opening, but it can be 12.4mm
    or 12.6mm

  2. Imperfections in shutter speed. The shutter is also mechanical unit
    and based on some factors as temperature, how precise are the blades
    and other elements inside, speed will be not 1/100s but can be
    1/110s or 1/90s.

  3. The same is true about the sensor itself (from electronic point of
    view)


At the end even two consecutive photos can have different (slightly) exposure.



And add fluctuation of your illumination source...






share|improve this answer
























  • So 'noise' and not something systematic. That makes sense.

    – KAE
    4 hours ago











  • @KAE, you can name it noise :) There are so many variables so at the end it is random

    – Romeo Ninov
    4 hours ago



















3














The short answer is yes... they cancel. But there are some nuances.



Each time the diameter of a circle increases (or decreases) by a factor equal to the square root of 2 (approximately 1.4) the area of that circle is exactly doubled (or halved if decreased). The f-stop numbers are all based on powers of the square root of 2 (e.g. f/1 = √2^0; f/1.4 = √2^1; f/2 = √2^2; f/2.8 = √2^3; etc.)



Shutter exposures are more intuitive. 1/500th sec is obviously half as long as 1/250th sec, etc.



The nuances:



Cameras do a bit of rounding. E.g. if you have a 100mm lens it's probably not precisely 100mm (but it's probably not far off) and as you refocus, the lens may do a bit of focus breathing (for a good lens that stays with 5% of the stated focal length ... but some lenses have rather strong focus-breathing issues ... e.g. 30%. When this happens, it means the f-stop isn't strictly accurate.



F-stops aren't strictly accurate as it is. But they are "close enough" that the margin of error wont impact the exposure in a noticeable way.



There are other issues. When you shoot heavily stopped down (e.g. f/22), all light comes from a very small area near the center of the lens axis and is distributed across the sensor more evenly. When you shoot wide-open, light comes from a wide range of angles. Areas of the sensor near the center can collect light from many angles, but areas of the sensor near an edge or corner are more limited on the number of paths light can take through the lens to reach that particular spot. This results in vignetting. So while you can take two photos using "equivalent exposures" (trading a stop of aperture for a stop of shutter duration), changes in vignetting patterns can cause pixels to have a different amount of collected light depending on the pixel you choose to inspect.






share|improve this answer
























  • While this is a good answer, where are you getting the numbers for focus breathing from?

    – Hairy Dresden
    3 hours ago











  • @Hairy Dresdon, just reviews of various lenses. But these are tests you can also do yourself. E.g. while looking through a viewfinder (or even in live-view) run the focus through the full range and watch the field of view change. You can can also use calculators (like this one: tawbaware.com/maxlyons/calc.htm ) to work out the true focal length (relative to what it should be). There are a few lenses that have reputations for being "heavy breathers".

    – Tim Campbell
    2 hours ago



















3














In theory, yes — stops are interchangeable. In practice, they do not perfectly cancel to perfect precision.




the standard deviation of the raw counts is ~5% of the mean




In photographic terms, this is basically nothing. It is far below human perception, and even when the difference is noticeable, the generally-expected workflow involves working with each image individually, so the photographer can compensate either in the field or in post-production.



Cameras meant for photography are not measuring devices; using them as such is setting yourself up for disappointment. Making the devices much more precise would be a lot more expensive and provide no benefit for the target market. Even if you have a camera made for scientific purposes, these particular tolerances might not be within the relevant area of concern.



If you're trying to get perfection for something like a time-lapse or another series of photos, post-processing to even out the fluctuations is your best bet.






share|improve this answer





















  • 1





    Good idea to even out the fluctuations - maybe I will take a lot of frames and average the pixel values.

    – KAE
    4 hours ago



















0














With regard to systematic problems: you are taking into account that with opening up the aperture depth of focus decreases and thus the borders of out-of-focus scene parts blur? Also with small apertures you might get some blurring due to diffraction.



If you have a mechanical shutter, you actually can get diffraction with large apertures from the resulting short shutter times when a significant amount of the exposure time is spent near at least one of the shutter curtains moving across.






share|improve this answer








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    4 Answers
    4






    active

    oldest

    votes








    4 Answers
    4






    active

    oldest

    votes









    active

    oldest

    votes






    active

    oldest

    votes









    5














    This is normal behavior, caused by:




    1. Imperfections of aperture. Usually there are variations from
      technology process which cause not to have exact size of the hole.
      On 50mm lens f4 you should have 12.5mm opening, but it can be 12.4mm
      or 12.6mm

    2. Imperfections in shutter speed. The shutter is also mechanical unit
      and based on some factors as temperature, how precise are the blades
      and other elements inside, speed will be not 1/100s but can be
      1/110s or 1/90s.

    3. The same is true about the sensor itself (from electronic point of
      view)


    At the end even two consecutive photos can have different (slightly) exposure.



    And add fluctuation of your illumination source...






    share|improve this answer
























    • So 'noise' and not something systematic. That makes sense.

      – KAE
      4 hours ago











    • @KAE, you can name it noise :) There are so many variables so at the end it is random

      – Romeo Ninov
      4 hours ago
















    5














    This is normal behavior, caused by:




    1. Imperfections of aperture. Usually there are variations from
      technology process which cause not to have exact size of the hole.
      On 50mm lens f4 you should have 12.5mm opening, but it can be 12.4mm
      or 12.6mm

    2. Imperfections in shutter speed. The shutter is also mechanical unit
      and based on some factors as temperature, how precise are the blades
      and other elements inside, speed will be not 1/100s but can be
      1/110s or 1/90s.

    3. The same is true about the sensor itself (from electronic point of
      view)


    At the end even two consecutive photos can have different (slightly) exposure.



    And add fluctuation of your illumination source...






    share|improve this answer
























    • So 'noise' and not something systematic. That makes sense.

      – KAE
      4 hours ago











    • @KAE, you can name it noise :) There are so many variables so at the end it is random

      – Romeo Ninov
      4 hours ago














    5












    5








    5







    This is normal behavior, caused by:




    1. Imperfections of aperture. Usually there are variations from
      technology process which cause not to have exact size of the hole.
      On 50mm lens f4 you should have 12.5mm opening, but it can be 12.4mm
      or 12.6mm

    2. Imperfections in shutter speed. The shutter is also mechanical unit
      and based on some factors as temperature, how precise are the blades
      and other elements inside, speed will be not 1/100s but can be
      1/110s or 1/90s.

    3. The same is true about the sensor itself (from electronic point of
      view)


    At the end even two consecutive photos can have different (slightly) exposure.



    And add fluctuation of your illumination source...






    share|improve this answer













    This is normal behavior, caused by:




    1. Imperfections of aperture. Usually there are variations from
      technology process which cause not to have exact size of the hole.
      On 50mm lens f4 you should have 12.5mm opening, but it can be 12.4mm
      or 12.6mm

    2. Imperfections in shutter speed. The shutter is also mechanical unit
      and based on some factors as temperature, how precise are the blades
      and other elements inside, speed will be not 1/100s but can be
      1/110s or 1/90s.

    3. The same is true about the sensor itself (from electronic point of
      view)


    At the end even two consecutive photos can have different (slightly) exposure.



    And add fluctuation of your illumination source...







    share|improve this answer












    share|improve this answer



    share|improve this answer










    answered 5 hours ago









    Romeo NinovRomeo Ninov

    3,74931226




    3,74931226













    • So 'noise' and not something systematic. That makes sense.

      – KAE
      4 hours ago











    • @KAE, you can name it noise :) There are so many variables so at the end it is random

      – Romeo Ninov
      4 hours ago



















    • So 'noise' and not something systematic. That makes sense.

      – KAE
      4 hours ago











    • @KAE, you can name it noise :) There are so many variables so at the end it is random

      – Romeo Ninov
      4 hours ago

















    So 'noise' and not something systematic. That makes sense.

    – KAE
    4 hours ago





    So 'noise' and not something systematic. That makes sense.

    – KAE
    4 hours ago













    @KAE, you can name it noise :) There are so many variables so at the end it is random

    – Romeo Ninov
    4 hours ago





    @KAE, you can name it noise :) There are so many variables so at the end it is random

    – Romeo Ninov
    4 hours ago













    3














    The short answer is yes... they cancel. But there are some nuances.



    Each time the diameter of a circle increases (or decreases) by a factor equal to the square root of 2 (approximately 1.4) the area of that circle is exactly doubled (or halved if decreased). The f-stop numbers are all based on powers of the square root of 2 (e.g. f/1 = √2^0; f/1.4 = √2^1; f/2 = √2^2; f/2.8 = √2^3; etc.)



    Shutter exposures are more intuitive. 1/500th sec is obviously half as long as 1/250th sec, etc.



    The nuances:



    Cameras do a bit of rounding. E.g. if you have a 100mm lens it's probably not precisely 100mm (but it's probably not far off) and as you refocus, the lens may do a bit of focus breathing (for a good lens that stays with 5% of the stated focal length ... but some lenses have rather strong focus-breathing issues ... e.g. 30%. When this happens, it means the f-stop isn't strictly accurate.



    F-stops aren't strictly accurate as it is. But they are "close enough" that the margin of error wont impact the exposure in a noticeable way.



    There are other issues. When you shoot heavily stopped down (e.g. f/22), all light comes from a very small area near the center of the lens axis and is distributed across the sensor more evenly. When you shoot wide-open, light comes from a wide range of angles. Areas of the sensor near the center can collect light from many angles, but areas of the sensor near an edge or corner are more limited on the number of paths light can take through the lens to reach that particular spot. This results in vignetting. So while you can take two photos using "equivalent exposures" (trading a stop of aperture for a stop of shutter duration), changes in vignetting patterns can cause pixels to have a different amount of collected light depending on the pixel you choose to inspect.






    share|improve this answer
























    • While this is a good answer, where are you getting the numbers for focus breathing from?

      – Hairy Dresden
      3 hours ago











    • @Hairy Dresdon, just reviews of various lenses. But these are tests you can also do yourself. E.g. while looking through a viewfinder (or even in live-view) run the focus through the full range and watch the field of view change. You can can also use calculators (like this one: tawbaware.com/maxlyons/calc.htm ) to work out the true focal length (relative to what it should be). There are a few lenses that have reputations for being "heavy breathers".

      – Tim Campbell
      2 hours ago
















    3














    The short answer is yes... they cancel. But there are some nuances.



    Each time the diameter of a circle increases (or decreases) by a factor equal to the square root of 2 (approximately 1.4) the area of that circle is exactly doubled (or halved if decreased). The f-stop numbers are all based on powers of the square root of 2 (e.g. f/1 = √2^0; f/1.4 = √2^1; f/2 = √2^2; f/2.8 = √2^3; etc.)



    Shutter exposures are more intuitive. 1/500th sec is obviously half as long as 1/250th sec, etc.



    The nuances:



    Cameras do a bit of rounding. E.g. if you have a 100mm lens it's probably not precisely 100mm (but it's probably not far off) and as you refocus, the lens may do a bit of focus breathing (for a good lens that stays with 5% of the stated focal length ... but some lenses have rather strong focus-breathing issues ... e.g. 30%. When this happens, it means the f-stop isn't strictly accurate.



    F-stops aren't strictly accurate as it is. But they are "close enough" that the margin of error wont impact the exposure in a noticeable way.



    There are other issues. When you shoot heavily stopped down (e.g. f/22), all light comes from a very small area near the center of the lens axis and is distributed across the sensor more evenly. When you shoot wide-open, light comes from a wide range of angles. Areas of the sensor near the center can collect light from many angles, but areas of the sensor near an edge or corner are more limited on the number of paths light can take through the lens to reach that particular spot. This results in vignetting. So while you can take two photos using "equivalent exposures" (trading a stop of aperture for a stop of shutter duration), changes in vignetting patterns can cause pixels to have a different amount of collected light depending on the pixel you choose to inspect.






    share|improve this answer
























    • While this is a good answer, where are you getting the numbers for focus breathing from?

      – Hairy Dresden
      3 hours ago











    • @Hairy Dresdon, just reviews of various lenses. But these are tests you can also do yourself. E.g. while looking through a viewfinder (or even in live-view) run the focus through the full range and watch the field of view change. You can can also use calculators (like this one: tawbaware.com/maxlyons/calc.htm ) to work out the true focal length (relative to what it should be). There are a few lenses that have reputations for being "heavy breathers".

      – Tim Campbell
      2 hours ago














    3












    3








    3







    The short answer is yes... they cancel. But there are some nuances.



    Each time the diameter of a circle increases (or decreases) by a factor equal to the square root of 2 (approximately 1.4) the area of that circle is exactly doubled (or halved if decreased). The f-stop numbers are all based on powers of the square root of 2 (e.g. f/1 = √2^0; f/1.4 = √2^1; f/2 = √2^2; f/2.8 = √2^3; etc.)



    Shutter exposures are more intuitive. 1/500th sec is obviously half as long as 1/250th sec, etc.



    The nuances:



    Cameras do a bit of rounding. E.g. if you have a 100mm lens it's probably not precisely 100mm (but it's probably not far off) and as you refocus, the lens may do a bit of focus breathing (for a good lens that stays with 5% of the stated focal length ... but some lenses have rather strong focus-breathing issues ... e.g. 30%. When this happens, it means the f-stop isn't strictly accurate.



    F-stops aren't strictly accurate as it is. But they are "close enough" that the margin of error wont impact the exposure in a noticeable way.



    There are other issues. When you shoot heavily stopped down (e.g. f/22), all light comes from a very small area near the center of the lens axis and is distributed across the sensor more evenly. When you shoot wide-open, light comes from a wide range of angles. Areas of the sensor near the center can collect light from many angles, but areas of the sensor near an edge or corner are more limited on the number of paths light can take through the lens to reach that particular spot. This results in vignetting. So while you can take two photos using "equivalent exposures" (trading a stop of aperture for a stop of shutter duration), changes in vignetting patterns can cause pixels to have a different amount of collected light depending on the pixel you choose to inspect.






    share|improve this answer













    The short answer is yes... they cancel. But there are some nuances.



    Each time the diameter of a circle increases (or decreases) by a factor equal to the square root of 2 (approximately 1.4) the area of that circle is exactly doubled (or halved if decreased). The f-stop numbers are all based on powers of the square root of 2 (e.g. f/1 = √2^0; f/1.4 = √2^1; f/2 = √2^2; f/2.8 = √2^3; etc.)



    Shutter exposures are more intuitive. 1/500th sec is obviously half as long as 1/250th sec, etc.



    The nuances:



    Cameras do a bit of rounding. E.g. if you have a 100mm lens it's probably not precisely 100mm (but it's probably not far off) and as you refocus, the lens may do a bit of focus breathing (for a good lens that stays with 5% of the stated focal length ... but some lenses have rather strong focus-breathing issues ... e.g. 30%. When this happens, it means the f-stop isn't strictly accurate.



    F-stops aren't strictly accurate as it is. But they are "close enough" that the margin of error wont impact the exposure in a noticeable way.



    There are other issues. When you shoot heavily stopped down (e.g. f/22), all light comes from a very small area near the center of the lens axis and is distributed across the sensor more evenly. When you shoot wide-open, light comes from a wide range of angles. Areas of the sensor near the center can collect light from many angles, but areas of the sensor near an edge or corner are more limited on the number of paths light can take through the lens to reach that particular spot. This results in vignetting. So while you can take two photos using "equivalent exposures" (trading a stop of aperture for a stop of shutter duration), changes in vignetting patterns can cause pixels to have a different amount of collected light depending on the pixel you choose to inspect.







    share|improve this answer












    share|improve this answer



    share|improve this answer










    answered 5 hours ago









    Tim CampbellTim Campbell

    813




    813













    • While this is a good answer, where are you getting the numbers for focus breathing from?

      – Hairy Dresden
      3 hours ago











    • @Hairy Dresdon, just reviews of various lenses. But these are tests you can also do yourself. E.g. while looking through a viewfinder (or even in live-view) run the focus through the full range and watch the field of view change. You can can also use calculators (like this one: tawbaware.com/maxlyons/calc.htm ) to work out the true focal length (relative to what it should be). There are a few lenses that have reputations for being "heavy breathers".

      – Tim Campbell
      2 hours ago



















    • While this is a good answer, where are you getting the numbers for focus breathing from?

      – Hairy Dresden
      3 hours ago











    • @Hairy Dresdon, just reviews of various lenses. But these are tests you can also do yourself. E.g. while looking through a viewfinder (or even in live-view) run the focus through the full range and watch the field of view change. You can can also use calculators (like this one: tawbaware.com/maxlyons/calc.htm ) to work out the true focal length (relative to what it should be). There are a few lenses that have reputations for being "heavy breathers".

      – Tim Campbell
      2 hours ago

















    While this is a good answer, where are you getting the numbers for focus breathing from?

    – Hairy Dresden
    3 hours ago





    While this is a good answer, where are you getting the numbers for focus breathing from?

    – Hairy Dresden
    3 hours ago













    @Hairy Dresdon, just reviews of various lenses. But these are tests you can also do yourself. E.g. while looking through a viewfinder (or even in live-view) run the focus through the full range and watch the field of view change. You can can also use calculators (like this one: tawbaware.com/maxlyons/calc.htm ) to work out the true focal length (relative to what it should be). There are a few lenses that have reputations for being "heavy breathers".

    – Tim Campbell
    2 hours ago





    @Hairy Dresdon, just reviews of various lenses. But these are tests you can also do yourself. E.g. while looking through a viewfinder (or even in live-view) run the focus through the full range and watch the field of view change. You can can also use calculators (like this one: tawbaware.com/maxlyons/calc.htm ) to work out the true focal length (relative to what it should be). There are a few lenses that have reputations for being "heavy breathers".

    – Tim Campbell
    2 hours ago











    3














    In theory, yes — stops are interchangeable. In practice, they do not perfectly cancel to perfect precision.




    the standard deviation of the raw counts is ~5% of the mean




    In photographic terms, this is basically nothing. It is far below human perception, and even when the difference is noticeable, the generally-expected workflow involves working with each image individually, so the photographer can compensate either in the field or in post-production.



    Cameras meant for photography are not measuring devices; using them as such is setting yourself up for disappointment. Making the devices much more precise would be a lot more expensive and provide no benefit for the target market. Even if you have a camera made for scientific purposes, these particular tolerances might not be within the relevant area of concern.



    If you're trying to get perfection for something like a time-lapse or another series of photos, post-processing to even out the fluctuations is your best bet.






    share|improve this answer





















    • 1





      Good idea to even out the fluctuations - maybe I will take a lot of frames and average the pixel values.

      – KAE
      4 hours ago
















    3














    In theory, yes — stops are interchangeable. In practice, they do not perfectly cancel to perfect precision.




    the standard deviation of the raw counts is ~5% of the mean




    In photographic terms, this is basically nothing. It is far below human perception, and even when the difference is noticeable, the generally-expected workflow involves working with each image individually, so the photographer can compensate either in the field or in post-production.



    Cameras meant for photography are not measuring devices; using them as such is setting yourself up for disappointment. Making the devices much more precise would be a lot more expensive and provide no benefit for the target market. Even if you have a camera made for scientific purposes, these particular tolerances might not be within the relevant area of concern.



    If you're trying to get perfection for something like a time-lapse or another series of photos, post-processing to even out the fluctuations is your best bet.






    share|improve this answer





















    • 1





      Good idea to even out the fluctuations - maybe I will take a lot of frames and average the pixel values.

      – KAE
      4 hours ago














    3












    3








    3







    In theory, yes — stops are interchangeable. In practice, they do not perfectly cancel to perfect precision.




    the standard deviation of the raw counts is ~5% of the mean




    In photographic terms, this is basically nothing. It is far below human perception, and even when the difference is noticeable, the generally-expected workflow involves working with each image individually, so the photographer can compensate either in the field or in post-production.



    Cameras meant for photography are not measuring devices; using them as such is setting yourself up for disappointment. Making the devices much more precise would be a lot more expensive and provide no benefit for the target market. Even if you have a camera made for scientific purposes, these particular tolerances might not be within the relevant area of concern.



    If you're trying to get perfection for something like a time-lapse or another series of photos, post-processing to even out the fluctuations is your best bet.






    share|improve this answer















    In theory, yes — stops are interchangeable. In practice, they do not perfectly cancel to perfect precision.




    the standard deviation of the raw counts is ~5% of the mean




    In photographic terms, this is basically nothing. It is far below human perception, and even when the difference is noticeable, the generally-expected workflow involves working with each image individually, so the photographer can compensate either in the field or in post-production.



    Cameras meant for photography are not measuring devices; using them as such is setting yourself up for disappointment. Making the devices much more precise would be a lot more expensive and provide no benefit for the target market. Even if you have a camera made for scientific purposes, these particular tolerances might not be within the relevant area of concern.



    If you're trying to get perfection for something like a time-lapse or another series of photos, post-processing to even out the fluctuations is your best bet.







    share|improve this answer














    share|improve this answer



    share|improve this answer








    edited 1 hour ago

























    answered 4 hours ago









    mattdmmattdm

    121k40356650




    121k40356650








    • 1





      Good idea to even out the fluctuations - maybe I will take a lot of frames and average the pixel values.

      – KAE
      4 hours ago














    • 1





      Good idea to even out the fluctuations - maybe I will take a lot of frames and average the pixel values.

      – KAE
      4 hours ago








    1




    1





    Good idea to even out the fluctuations - maybe I will take a lot of frames and average the pixel values.

    – KAE
    4 hours ago





    Good idea to even out the fluctuations - maybe I will take a lot of frames and average the pixel values.

    – KAE
    4 hours ago











    0














    With regard to systematic problems: you are taking into account that with opening up the aperture depth of focus decreases and thus the borders of out-of-focus scene parts blur? Also with small apertures you might get some blurring due to diffraction.



    If you have a mechanical shutter, you actually can get diffraction with large apertures from the resulting short shutter times when a significant amount of the exposure time is spent near at least one of the shutter curtains moving across.






    share|improve this answer








    New contributor




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      0














      With regard to systematic problems: you are taking into account that with opening up the aperture depth of focus decreases and thus the borders of out-of-focus scene parts blur? Also with small apertures you might get some blurring due to diffraction.



      If you have a mechanical shutter, you actually can get diffraction with large apertures from the resulting short shutter times when a significant amount of the exposure time is spent near at least one of the shutter curtains moving across.






      share|improve this answer








      New contributor




      user82603 is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
      Check out our Code of Conduct.























        0












        0








        0







        With regard to systematic problems: you are taking into account that with opening up the aperture depth of focus decreases and thus the borders of out-of-focus scene parts blur? Also with small apertures you might get some blurring due to diffraction.



        If you have a mechanical shutter, you actually can get diffraction with large apertures from the resulting short shutter times when a significant amount of the exposure time is spent near at least one of the shutter curtains moving across.






        share|improve this answer








        New contributor




        user82603 is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
        Check out our Code of Conduct.










        With regard to systematic problems: you are taking into account that with opening up the aperture depth of focus decreases and thus the borders of out-of-focus scene parts blur? Also with small apertures you might get some blurring due to diffraction.



        If you have a mechanical shutter, you actually can get diffraction with large apertures from the resulting short shutter times when a significant amount of the exposure time is spent near at least one of the shutter curtains moving across.







        share|improve this answer








        New contributor




        user82603 is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
        Check out our Code of Conduct.









        share|improve this answer



        share|improve this answer






        New contributor




        user82603 is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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        answered 16 mins ago









        user82603user82603

        11




        11




        New contributor




        user82603 is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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        New contributor





        user82603 is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
        Check out our Code of Conduct.






        user82603 is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
        Check out our Code of Conduct.






























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